Can some one write me a short story using the words unavailing, disengage, rudimentary, wizened, voluble, commiserate, savoring and indomitable. It can be between 1-3 paragraphs

Había una vez un patito que era muy ~inutil~ y un día no le hiso caso a su mamá por qué le dijo que no se montará en el árbol por qué se podía que dar enganchado y cuando no le hiso caso dio un paso en falso y quedo enganchado y el patito no sabía que hacer y empeso a llorar y vino la mamá y cuando vio el patito que no podía bajar se puso a llorar sabiendo que no se podía ~desenganchar~ y vino un humano y lo ayudo a bajar pero el humano era muy ~rundimentario~ y era amantes de las flores y el humano dijo

-humano-!me encantan las flores no me gustaría que dejen marchitar las flores por qué son muy hermosas cuando tuve una yo era descuidado no le roceaba ala flor hasta que un día se ~marchito~

Lo siento no tengo más :(

These are the answers to Grammar Quiz 6 Proofreading
1.C,lots
2.B,There are
3.A,friends, snails
4.C,need
5.C,tanks
6.A,A fish tank would make a nice addition to any home.

In the context of the passage, which of the following options would best replace the underlined portion of sentence 17 (reproduced below) ?

Even if scientists do find liquid water someday, they better be darned sure they don’t contaminate it with microorganisms from Earth.

A. we all better hope that they don’t go and contaminate it

B. hopefully they won’t mess it up by contaminating it

C. let’s hope that they don’t go and contaminate it

D. they will have to be careful to avoid contaminating it

E. it better not get contaminated by them

What makes the Prince a complex character in this scene? romeo and Juliet act 3 scene 1

In an academic argument, where should transitions appear? HINT: It's not A.

A. Between body paragraphs only
B. Between the introduction and the first body paragraph only
C. Between the introduction, body paragraphs, and conclusion
D. Between the last body paragraph and the conclusion

What is the mood of this passage?
worried
cheerful
depressed
accepting

paraphrase “sonnet 30”. Describe the speaker’s thoughts in your own words.

Help please a soon as possible

from “Where I Lived, and What I Lived For” in Walden
by Henry David Thoreau
Look at a meeting-house, or a court-house, or a jail, or a shop, or a dwelling-house, and say what that thing really is before a true gaze, and they would all go to pieces in your account of them. Men esteem truth remote, in the outskirts of the system, behind the farthest star, before Adam and after the last man. In eternity there is indeed something true and sublime. But all these times and places and occasions are now and here. God himself culminates in the present moment, and will never be more divine in the lapse of all the ages. And we are enabled to apprehend at all what is sublime and noble only by the perpetual instilling and drenching of the reality that surrounds us. The universe constantly and obediently answers to our conceptions; whether we travel fast or slow, the track is laid for us. Let us spend our lives in conceiving then. The poet or the artist never yet had so fair and noble a design but some of his posterity at least could accomplish it.
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito’s wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry—determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through Church and State, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business.
Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining-rod and thin rising vapors I judge; and here I will begin to mine.

Which of the following best describes the intended audience for this passage?
A.
all Americans
B.
the speaker’s philosophical contemporaries
C.
city dwellers
D.
the speaker’s detractors
E.
highly-educated and well-to-do individuals



Please select the best answer from the choices provided


A
B
C
D
E

She finally became even more violent in her opposition than her husband himself. She was not satisfied with simply doing as well as he had commanded; she seemed anxious to do better. In the above sentence, the word commanded comes from a Latin root word that means to —
A call

B trust

C join

D order

How does Sametta’s story in paragraph 2contribute to the text? In the text Chocolate for Children

Select the correct answer.
What is the best way to revise sentence 3 to include better sensory details?
OA. We were simply waiting to go home from our jobs in our cars as we looked out the window at the city.
OB. We were simply walting to go home from our jobs as accountants, lawyers, secretaries, and doctors.
OC. We were simply walting to go home from our jobs in this nightmarish loop of continual stop-and-go
torture.
OD. We were simply waiting to go home from our Jobs so that we could get up tomorrow and do it again.

What are some problems migrant workers face? Correct answer gets brainly.

16. How much time passes in the short story by Kate Chopin, “A Story of an Hour?"
a. 1 minute
b. 1 hour
C. 1 day
d. 1 week

Which type of claims ask the question “What should we do about it?”
Claims of solutions or policies
Claims of value
Claims of fact
Claims of definition

Some one please help me

Read the passage to answer the question that follows.
Which character traits did Robin Hood exhibit when he planned to free the other captives? Select all that apply.
Leadership
Loyalty
Fear
Bravery

Which is an example of oversharing using GPS?
A. Posting an online message when your plane has landed
B. Revealing your location every few minutes in messages
C. Giving too much personal information on social networks
D. Constantly asking others to tell you their locations

what are the causes for students to drop-out from University
​

give a word similar in meaning foreign​

What is the fish name that begins with letter O?

Which of the following is NOT a reason Mrs. Hale did not visit Mrs. Wright?
А
She didn't like Mrs. Wright.
B
She was busy with her own farm.
The Wrights' farmhouse is gloomy.
John Wright was not a friendly or happy man.

Greek & Latin Vocabulary
Circle the common roots.
manual
manuscript
manufacture
manicure
What does the root mean?

how does the author use of details convey her point of view about Eleanor Roosevelt life and legacy

Why Mr. king use historical allusion in his letter?

When CITING A SOURCE in the body of your paper, which of the following are appropriate (“true”) practices?

You don’t need to cite page numbers when quoting.

You don’t have to cite authors in the text as long as you cite them in the reference list.

You must use quotation marks and page citations of the author when citing the words directly.

You must indent quoted material in a block if the quote is longer than three lines.

You can avoid using quotation marks if you change every 4th or 5th word in the quote.

You must use page citations when you paraphrase.

You should avoid using quotes from other authors in your own writing.

Write a drama script

what does the symbolism suggest about the man?​

Choose the sentence with a sensory detail that describes a taste.


Josie's soccer game was canceled due to a fire.


She hadn't understood the logic of that, since she was miles away.


But, that afternoon when she went outside, she got a big mouthful of that sooty, smoky ash flavor from the fire.


Josie hoped the firefighters got the fire under control soon.

Does passion help or hinder us?
Whose needs should take precedence: self or society?

Read the following passage and answer the question.

Every Sunday on his way to church, young Vincent would pass the headstone carved with the name he shared. Did he feel as if his dead brother were the rightful Vincent, the one who would remain perfect in his parents' hearts, and that he was merely an unsatisfactory replacement? That might have been one of the reasons he spent so much of his life feeling like a lonely outsider, as if he didn't fit anywhere in the world.
What tone does the speaker have towards Vincent van Gogh in the previous passage?

anger
pity
indifference
frustration